Description: SWORD ART ONLINE MOVIE: ORDINAL SCALE
Experience an all new adventure with Kirito, Asuna, and their party members as they explore the world of “Ordinal Scale,” a new hit game utilizing augmented reality technology. Players are about to find the line between the virtual world and reality beginning to blur and their worst nightmares coming true… As his fellow players find themselves in danger, the hero is called upon once again–can Kirito save his friends, or is this going to be game over for him…?
Running Time: 2 hrs
Show Times:FRI 3/24 – SUN 3/26 1:30 6:05 / MON 3/27 – THURS 3/30 6:05
Forced to leave their apartment due to a dangerous construction project in a neighboring building, a young Iranian couple moves to the center of Tehran where they become embroiled in a life-altering situation involving the previous tenant. Directed by Asghar Farhadi, who also helmed the Oscar-winning feature A Separation.
Running Time: 2 hrs. 05 mins.
Rate: PG – 13
Show Times:FRI – SAT 1:303:458:20 / SUN 3:45 8:20 / MON – THURS 8:20
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends-Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin’s death in 1987, he left behind only thirty completed pages of his manuscript. Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.
This Vakhtangov Theatre production of ANNA KARENINA is a modern dance interpretation of Leo Tolstoy’s classic novel, originally published in serial installments from 1875 to 1877 in the periodical The Russian Messenger. Telling the life story of the titular Anna, a St. Petersburg aristocrat, against the backdrop of late 19th century Russian society, Tolstoy’s novel is widely considered a pinnacle in realist fiction. Cholina strives to find the equivalent of Tolstoy’s words in harmony and movement, as every gesture holds as much meaning as a word. The music of Alfred Schnittke helps to reveal the characters of the drama and their depth, together with elegance and mood corresponding to the amplitude of the novel.
After his mother’s sudden death, Zucchini is befriended by a police officer, Raymond, who accompanies him to his new foster home, filled with other orphans his age. At first he struggles to find his place in this at times strange and hostile environment. But with Raymond’s help and his newfound friends, Zucchini eventually learns to trust and love, as he searches for a new family of his own. Brought to life through striking character designs and expressive stop-motion animation, the story soars with laughter, sorrow, and joy, and stands as a testament to the resilience of the human heart. Beginning with its debut at Cannes, the film has stirred up an overwhelming response on the festival circuit, taking home top jury and audience prizes at Annecy, Melbourne and Angoulême, as it prepares to melt hearts in North America with its premiere at Toronto.
When police officer Carter (Aaron Poole) discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a barebones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.